Indicators on metafora You Should Know
Indicators on metafora You Should Know
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El autor trata de elevar las cualidades de su amada, comparando las lágrimas que le brotan al llorar con algo hermoso y tierno como un poema.
After we use metaphor, we generate a leap outside of rational, ho-hum comparison to an identification or fusion of two objects, leading to a brand new entity that has characteristics of both equally: the voice isn't like
Други примери за метафора са: море от любов; полетя от радост; умря от страх.
La metáfora no solo se percibe como un elemento con resonancias con el pensamiento humano en que se escribe el texto, sino también con las demás metáforas y estructuras que completan el poema.
The Philosophy of Rhetoric (1936) by rhetorician I. A. Richards describes a metaphor as possessing two components: the tenor plus the car. The tenor is the topic to which attributes are ascribed. The vehicle is the item whose attributes are borrowed.
В поезията този похват се използва за постигане на силен емоционален ефект с малко думи. Извън теорията на реториката на метафората се гледа като на по-силния речеви инструмент от аналогията, макар двата тропа да са близки.
Una fulfilledáfora negativa es un tipo de metáfora en la que el término genuine o el imaginario aparecen con una negación. Por ejemplo:
There may be, he indicates, one thing divine in metaphor: the world alone is God's poem[59] and metaphor is not only a literary or rhetorical determine but an analytic Resource that will penetrate the mysteries of God and His creation.[sixty]
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Al leer estas achievedáforas, el receptor debe trabajar menos en la tarea de recuperación del sentido porque el elemento real referido está presente en el contexto y orienta la interpretación. Por ejemplo:
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se expresa una forma matemática para sustituirlos; mostrando que el resultado es una fulfilledáfora, un resultado con un nuevo significado estético o bello. «Aristóteles define a la metáfora como un doble mecanismo metonímico de cuatro términos, el segundo mantiene la misma relación que el cuarto con el tercero: B es a A, lo que D es a C; la vejez es a la vida lo que el atardecer es al día.
Aristotle discusses the generation of metaphors at the end of his Poetics: "But the greatest matter undoubtedly should be to become a read more master of metaphor.
Baroque literary theorist Emanuele Tesauro defines the metaphor "essentially the most witty and acute, by far the most Unusual and marvelous, one of the most pleasurable and handy, the most eloquent and fecund Portion of the human intellect".
Fundamento: la similitud entre la forma de una soga con un nudo y la sensación de tener la garganta cerrada (hecha un nudo) por la angustia.